rm sea, but Giò, the group leader, can't understand Edda's expectations. In the meantime, Hermann, a young German guy, decides to leave on a journey with his camera. Edda, after a failed debut, abandons the theatre company and meets Hermann. It's love at first sight. Thanks to the black and white and the cinema scope, Konermann's on-the-road movie, rich of quotations from the Nouvelle Vague, offers an unusual point of view on Italian landscapes which dramatically reflect the characters' feelings.
